Nafas
Ontologija diha v Rumijevi poeziji
DOI:
https://doi.org/10.35469/poligrafi.2023.400Ključne besede:
Rumi, sufizem, prakse dihanja, Irigaray, Merleau-Ponty, utelešena filozofijaPovzetek
Pri utemeljevanju respiratorne filozofije se je smiselno ozreti na vzhod, saj številne vzhodne tradicije, med njimi sufizem, vključujejo dihanje v svoje somatske prakse. V prispevku je prikazano, kako je Rumi ‒ muslimanski teolog in sufi iz 13. stoletja ‒ v svoji poeziji uporabljal nafas oziroma dih na način, ki je poudarjal njegovo prvobitnost. Na odlomkih iz Rumijeve poezije avtorica ponazori, kako dih implicira novo z »darom« življenja, ki nam ga prinaša, in kako je ta ustvarjalna, podarjajoča in prvobitna narava diha povezana z odprtostjo Božanskemu Drugemu in drugim. Poleg tega za Rumija vsak vdih pomeni začetek novega obstoja, ki izniči svojo predhodno obliko, s čimer bralcu posreduje ontološki občutek končnosti obstoja preko tega, kar je minilo, in neskončnih možnosti, ki jih novo prinaša. Zbliževanje končnega z neskončnim v dihu omogoča razvijanje respiratorne ontologije, katere cilj je razumevanje dualnosti v medsebojno povezani perspektivi. Prav to pa je po avtoričinem mnenju obet Rumijeve poezije za filozofijo dihanja
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