Sveto pismo in film

umetniško-literarne konvergence

Avtorji

Ključne besede:

Sveto pismo kot književnost, Sveto pismo in film, narativna analiza, sinhrona eksegeza, filmski scenariji

Povzetek

Cilj razprave je osvetliti nekatere stične točke med svetopisemsko književnostjo in narativno strukturo sodobnega filma, ki je danes eden izmed najbolj dovršenih pripovednih medijev, in sicer skozi perspektivo Northropa Frya, ki hebrejsko Sveto pismo obravnava kot temeljno imaginacijo literarnih ideologij, ki so oblikovale zahodno misel. Teoretični okvir te raziskave se naslanja na dela strokovnjakov, kot so Robert Alter, Daniel Marguerat in Yvan Bourquin, Gary Yamasaki in David Bordwell. Kot poudarja Adele Berlin, so v pripovedih hebrejskega Svetega pisma sporočila posredovana tako skozi obliko kot skozi vsebino besedila. Na podlagi te ideje želimo pokazati, da poleg tematskih vzporednic obstaja tudi metodološko ujemanje med pripovedno strukturo Svetega pisma in pripovednimi tehnikami sodobnega filma.

Literatura

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Aristóteles, 384-322 a.C. Poética – Περὶ ποιητικῆς. São Paulo: Editora 34, 2017.

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Bordwell, David. Narration in the Fiction Film. Madison: The University of Wisconsin Press, 1985.

Bordwell, David. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. (Harvard Film Studies). Cambridge: Harvard University Press, 1991.

Bordwell, David. The Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley: University of California Press, 2006.

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FILMS

Braveheart. Mel Gibson. USA. Paramount; 20th Century Fox, 1995.

Pulp Fiction. Quentin Tarantino. USA. Miramax Films, 1994.

SERIES

Breaking Bad. Vince Gilligan. USA. NETFLIX, 2013.

Succession. Jesse Armstrong. USA. HBO, 2018.

Objavljeno

2024-12-24

Kako citirati

Brey, Petterson. 2024. „Sveto Pismo in Film: Umetniško-Literarne Konvergence“. Poligrafi 29 (115/116):165–182. https://ojs.zrs-kp.si/index.php/poligrafi/article/view/482.