Diamantni strašni na komodi
DOI:
https://doi.org/10.35469/poligrafi.2024.441Ključne besede:
Skuškova zbirka, dinastija Qing, Yamāntaka-Vajrabhairava, Yama, ogledalo, budizemPovzetek
Med letoma 1920 in 1963 je bila v vseh domovanjih Ivana Skuška in njegove žene Tsuneko Kondō Kawase, ki je po krstu leta 1927 prevzela slovensko ime in priimek Marija Skušek, ves čas na ogled zbirka kitajskih predmetov, večinoma iz obdobja dinastije Qing. Zbirka je nastala v Pekingu, kamor je Ivan Skušek prispel leta 1914 in kjer je bil do leta 1917 vojni ujetnik, po izpustitvi pa jo je leta 1920 dal prepeljati v Ljubljano. Fotografije in filmski posnetki dokumentirajo, kako sta z ženo svoje zasebne sobe preuredila v razstavne prostore. Na komodi sta pred ogledalom razstavila izjemen aranžma kovinskih predmetov. Na vseh ljubljanskih lokacijah, kjer sta bivala, je v središču tega aranžmaja vedno stala ista jezna figurica: Vajrabhairava, Diamantni strašni.
V članku preučujemo pomen tega budističnega božanstva v kontekstu budizma na Kitajskem. Analiziramo funkcijo in pomen komode, zlasti simboliko ogledala v povezavi s tantričnimi božanstvi iz skupine Yamāntaka, med katerimi Vajrabhairava zaseda najvišji položaj. Posebno pozornost namenjamo možnosti, da je bila dejanska kuratorka zbirke Marija Skušek, kar odpira vprašanje, ali je razpostavitev figuric odražala specifičen družbeno-religiozni koncept.
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