Liu Hai draži zlato krastačo
srečenosni motivi na lesenem stojalu za ogledalo iz Skuškove zbirke
DOI:
https://doi.org/10.35469/poligrafi.2022.364Ključne besede:
srečenosni motivi, leseno stojalo za ogledalo, Ivan Skušek ml., Liu Hai, Shouxing, bor, bambus, sliva, lev, sraka, quilinPovzetek
Članek analizira srečenosno motiviko na lesenem stojalu za ogledalo iz Skuškove zbirke, ki ga hrani Slovenski etnografski muzej. Srečenosno motiviko postavi v širši kontekst kitajskih kulturnih in jezikovnih struktur, ki je v vizualni reprezentaciji kombiniranih motivov rastlin, živali in oseb omogočil nešteto kombinacij rebusov in preigravanja z enakozvočnicami. Ti so temeljili na kitajski zgodovinski, literarni, filozofski, religiozni in mitološki tradiciji. Srečenosni motivi so v kitajskem kulturnem kontekstu postali standardna shema okraševanja, iz katere so črpali tako slikarji učenjaki kot obrtniki, njihovo upodabljanje pa se je razširilo tudi zunaj kitajskih meja. Še posebej razširjeni postanejo na vsakdanjih predmetih, ki uporabnikom ne le izrekajo dobre želje za srečo, bogastvo, napredovanje, dolgoživost in potomstvo, temveč sočasno zagotavljajo njihovo uresničitev. To je vidno tudi na lesenem stojalu za ogledalo, ki ga je med letoma 1914 in 1920 v Pekingu kupil mornariški častnik Ivan Skušek ml. Članek v prvem delu prikaže ikonografsko analizo motivike, v drugem pa so podrobneje obravnavana zajeta sporočila v vizualnih simbolnih kodah, pri čemer so upoštevani tudi razporeditev motivike v zaključeno zgodbo in načini interpretiranja teh podob.
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