Razumevanje motivike in simbolike na vzhodnoazijskem porcelanu v zbirki Narodnega muzeja Slovenije
DOI:
https://doi.org/10.35469/poligrafi.2022.351Ključne besede:
Simbolizem in motivika, kitajski porcelan, japonski porcelan, Narodni muzej Slovenije, trije prijatelji zime, zmaj in feniks, izvozni porcelanPovzetek
V prispevku je analizirana izbrana motivika na različnih vrstah poslikanega vzhodnoazijskega porcelana, ki ga v zbirki keramike hrani Narodni muzej Slovenije. Članek z analizo primarnih virov in sekundarne literature in neposredne obravnave predmetov predstavi pregled slogov okraševanja ter izbranih rastlinskih in živalskih motivov, ki jih najpogosteje srečamo na porcelanu iz omenjene zbirke, ki spada v obdobje med prvo polovico 17. in koncem 19. stoletja (oziroma začetkom 20. stoletja). V povezavi z analizo motivike in simbolike so predstavljene tudi tri raziskave primerov posameznih predmetov, pri katerih okrasni elementi nudijo vpogled v bogate zgodbe, povezane s kulturno-zgodovinskim ozadjem trgovskih in kulturnih izmenjav med Evropo in Vzhodno Azijo. V prispevku sta obravnavana kitajski in japonski izvozni porcelan, ki so ju masovno proizvajali za zahodne trge, vendar sta bila okrašena z vzhodnoazijsko motiviko. Prispevek vodi v razmislek o vlogi obravnavane simbolike v japonskem in kitajskem kulturno-zgodovinskem okolju in v povezavi s tem tudi (potencialne) vloge te motivike v okolju, kjer so končali predmeti vzhodnoazijskega izvora – na ozemlju današnje Slovenije.
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